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Appropriation and the Art of the Copy (May 2015): Works Cited

By Elizabeth Mix

Works Cited

Ackerman, Gerald, with Graydon Parrish.  Charles Bargue Drawing Course.  With the Collaboration of Jean Léon Gérôme.  Paris: ACR Edition, 2003, 2007, 2011.

Aftershock: The Legacy of the Readymade in Post-war and Contemporary American Art, essays by Francis M. Naumann and Thomas Girst.  Dickinson Roundell, 2003.

Appropriation, ed. by David Evans.  MIT/London: Whitechapel Gallery, 2009.

Arnau, Frank.  Three Thousand Years of Deception in Art and Antiques, tr. by J. Maxwell Brownjohn.  Jonathan Cape, 1961.

Art and the Academy in the Nineteenth Century, ed. by Rafael Cardoso Denis and Colin Trodd.  Manchester University Press, 2000.

Bal, Mieke.  Quoting Caravaggio: Contemporary Art, Preposterous History.  Chicago, 1999.

Benjamin, Walter.  "The Work of Art in the Age of Mechanical Reproduction."  In Illuminations, ed. and introd. by Hannah Arendt; tr. by Harry Zohn.  Harcourt, Brace & World, 1968.

Berger, Klaus.  Japonisme in Western Painting from Whistler to Matisse, tr. by David Britt.  Cambridge, 1992 (CH, Sep'92, 30-0070).

Berger, Maurice.  Fred Wilson: Objects and Installations, 1979-2000.  Center for Art and Visual Culture/University of Maryland Baltimore County, 2001.

Bhaba, Homi K.  The Location of Culture.  Routledge, 1994.

Boime, Albert.  The Academy and French Painting in the Nineteenth Century.  Yale, 1986 (orig. pub. Phaidon Press, London, 1971).

Borrowed Power: Essays on Cultural Appropriation, ed. by Bruce Ziff and Pratima V. Rao.  Rutgers, 1997.

Briefel, Aviva.  The Deceivers: Art Forgery and Identity in the Nineteenth Century.  Cornell, 2006.

Bury, Stephen.  Artists' Multiples, 1935-2000.  Ashgate, 2001.

Chicago, Judy.  The Dinner Party.  Penguin, 1996.

Chinese and Japanese Porcelains for the Dutch Golden Age, ed. by Jan van Campen and Titus EliënsZwolle: Waanders Uitgevers, 2014.

Coke, Van Deren.  The Painter and the Photograph from Delacroix to Warhol.  Rev. and enl. ed.  New Mexico, 1972 (CH, Sep'72).

Copies as Originals. Translations in Media and Techniques, catalogue supervisors Rona Goffen and David Steadman.  Princeton University Art Museum, 1974.

Cultures of the Curatorial, ed. by Beatrice von Bismarck, Jörn Schafaff, and Thomas Weski.  Sternberg Press, 2012.

De main de maître: L'artiste et le faux, by Clément Chéroux et al.  Paris: Hazan/Musée du Louvre, 2009.

"The Death of the Author" (1967), selected and tr. by Stephen Heath; Roland Barthes, Image, Music, Text.  Hill and Wang, 1977 (CH, Sep'78).

The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1991, ed. by Nancy Princenthal; essays by Tom McDonough et al.  Prestel/DelMonico Books/Munich: Neuberger Museum of Art, 2011.

Double Impact: France and Africa in the Age of Imperialism, ed. by G. Wesley Johnson.  Greenwood, 1985.

The Duchamp Effect, ed. by Martha Buskirk and Mignon Nixon.  MIT, 1996.

Dyer, Richard.  Pastiche.  Routledge, 2007.

Eastlake, Charles Lock.  Methods and Materials of Painting of the Great Schools and Masters.  Dover, 1960 (orig. pub.,1847).

Fake?: The Art of Deception, ed. by Mark Jones.  California, 1990 (CH, Feb'91, 28-3122).

Fakes and Forgeries, ed. by Susan Brown.  Minneapolis Institute of Arts, 1973.

Flaubert, GustaveDictionnaire des idées recues.  Paris: A.G. Nizet, 1966.

Foster, Hal.  The Return of the Real: The Avant-garde at the Turn of the Century.  MIT, 1996.

____.  Recodings: Art, Spectacle, Cultural Politics.  Bay Press, 1985.

Gascoigne, BamberHow to Identify Prints: A Complete Guide to Manual and Mechanical Processes from Woodcut to Inkjet.  2nd ed.  Thames and Hudson, 2004.

The Global Contemporary and the Rise of New Art Worlds, ed. by Hans Belting, Andrea Buddensieg, and Peter Weibel.  MIT/Karlsruhe: ZKM, Center for Art and Media, 2013.

Goldstein, Carl.  Teaching Art: Academies and Schools from Vasari to Albers.  Cambridge, 1996.

Haywood, Ian.  Faking It: Art and the Politics of Forgery.  St. Martin's, 1987.

Heller, Steven, and Julie Laskey.  Borrowed Design: Use and Abuse of Historical Form.  Van Nostrand Reinhold, 1993 (CH, Oct'93, 31-0716).

Hoesterey, IngeborgPastiche: Cultural Memory in Art, Film, Literature.  Indiana, 2001.

Homburg, Cornelia.  The Copy Turns Original: Vincent van Gogh and a New Approach to Traditional Art Practice.  J. Benjamins, 1996.

Hults, Linda C.  The Print in the Western World: An Introductory History.  Wisconsin, 1996.

Impey, Oliver.  Chinoiserie: The Impact of Oriental Styles on Western Art and DecorationScribner's, 1977 (CH, Sep'77).

Ivins, William M., Jr.  Prints and Visual Communication.  MIT, 1969.

Japonisme: Japanese Influence on French Art, 1854-1910, by Gabriel P. Weisberg et al.  Cleveland Museum of Art, 1975 (CH, Jan'76).

Jörg, C. G. A.  Porcelain and the Dutch China Trade.  The Hague: Martinus Nijhoff, 1982.

Kozloff, Joyce.  Patterns of Desire, introd. by Linda Nochlin.  Hudson Hills, 1990.

Krauss, Rosalind E.  The Originality of the Avant-Garde and Other Modernist Myths.  5th printing.  MIT, 1986 (CH, Jun'85).

Kruger, Barbara, Hal Foster, and Miwon Kwon.  Barbara Kruger.  Rizzoli, 2009.

Larson, Dean M.  Studying with the Masters: Lessons from Rubens, Velásquez, Turner, Degas, Monet, Sargent, Matisse.  Watson-Guptill, 1986.

Lavin, MaudCut with the Kitchen Knife: The Weimar Photomontages of Hannah Höch.  Yale, 1993 (CH, Jul'93, 30-5999).

Lenain, Thierry.  Art Forgery: The History of a Modern Obsession.  Reaktion Books, 2011 (CH, Jun'12, 49-5462).

LeNormand-Romain, Antoinette, with Hélène Marraud and Diane Tytgat.  The Bronzes of Rodin: Catalogue of Works in the Musée Rodin.  Paris: Musée Rodin, 2007 (CH, Aug'08, 45-6571).

Lipman, Jean, and Richard Marshall.  Art about Art.  E.P. Dutton/Whitney Museum of American Art, 1978 (CH, Feb'78).

Mapping Benjamin: The Work of Art in the Digital Age, ed. by Hans Ulrich Gumbrecht and Michael Marrinan.  Stanford, 2003.

Mayor, A. Hyatt.  Prints & People: A Social History of Printed Pictures.  Princeton, 1971.

McShine, Kynaston.  The Museum as Muse: Artists Reflect.  Museum of Modern Art, 1999.

Mediating Netherlandish Art and Material Culture in Asia, ed. by Thomas DaCosta Kaufmann and Michael North.  Amsterdam: Amsterdam University Press, 2014.

Meech, Julia, and Gabriel P. WeisbergJaponisme Comes to America: The Japanese Impact on the Graphic Arts 1876-1925.  Abrams, 1990 (CH, Nov'90, 28-1386).

Moir, Alfred.  Caravaggio and His Copyists.  New York University, 1976.

Morimura, Yasumasa.  Yasumasa Morimura: historia del arte.  Madrid: Fundación Telefónica, 2000.

Morphet, Richard.  Encounters: New Art from Old.  Yale/London: National Gallery Company Limited, 2000 (CH, Feb'01, 38-3135).

Moscowitz, Anita Fiderer.  Forging Authenticity: Bastianini and the Neo-Renaissance in Nineteenth-Century Florence.  Firenze: Leo S. Olschki Editore, 2013.

Mosquera, Gerardo.  "Stealing from the Global Pie: Globalization, Difference and Cultural Appropriation."  In Art Papers21, no. 2 (March/April 1997), 12-15.

Mukerji, Chandra.  From Graven Images: Patterns of Modern Materialism.  Columbia, 1983 (CH, May'84).

National Art Academies in Europe 1860-1906: Educating, Training, Exhibiting, ed. by Marcia Pointon and Paul Binski.  Blackwell, 1997.

A New History of Photography, ed. by Michel Frizot.  Köln: Könemann, 1998 (CH, Oct'99, 37-0730).

The Passionate Camera: Photography and Bodies of Desire, ed. by Deborah Bright.  Routledge, 1998.

Picasso and the Spanish Tradition, ed. by Jonathan Brown.  Yale, 1996 (CH, Apr'97, 34-4265).

Poynor, Rick.  No More Rules: Graphic Design and Postmodernism.  Yale, 2003 (CH, Jun'04, 41-5691).

Prints: History of an Art, by Michel Melot et al.; tr. by Helga Harrison and Dennis Corbyn.  Rizzoli, 1981.

Putnam, James.  Art and Artifact: The Museum as Medium.  Thames & Hudson, 2009 (CH, Feb'10, 47-2972).

Quotation, Re-presenting History, by David Buchan et al.  Winnipeg Art Gallery, 1994.

Rodin: A Magnificent Obsession, by Kirk Varnedoe et al.  Iris and B. Gerald Cantor Foundation/Merrell Publishers, 2001.

Root, Deborah.  Cannibal Culture: Art, Appropriation and the Commodification of Difference.  Westview, 1996 (CH, Sep'96, 34-0093).

Rosenblum, Naomi.  A World History of Photography.  Rev. ed.  Abbeville, 1984 (4th ed., CH, Jun'08, 45-5324).

Said, Edward W.  Orientalism.  Pantheon Books, 1978 (CH, Apr'79).

Sandback, Amy.  Imagined Worlds: Willful Invention and the Printed Image 1470-2005.  Axa Gallery and International Print Center, 2005.

Schwartz, Hillel.  The Culture of the Copy: Striking Likenesses Unreasonable Facsimiles.  1st pbk. ed.  MIT, 1998.

Sims, Patterson.  The Museum: Mixed Metaphors, Fred Wilson.  Seattle Art Museum, 1993.

The Subjects of Art History: Historical Objects in Contemporary Perspectives, ed. by Mark A. Cheetham, Michael Ann Holly, and Keith Moxey.  Cambridge, 1998.

Tancock, John L., with Murray Weiss.  The Sculpture of Auguste Rodin: The Collection of the Rodin Museum, Philadelphia.  Philadelphia Museum of Art, 1976.

Tromp, Henk.  A Real Van Gogh: How the Art World Struggles with Truth.  1st English language ed.  Amsterdam University Press, 2010.

Tucker, Thomas Deane.  Derridada: Duchamp as Readymade Deconstruction.  Lexington Books, 2009.

Unpacking Europe: Towards a Critical Reading, ed. by Salah Hassan and Iftikhar Dadi.  Rotterdam: Nai Publishers/Museum Boijmans Van Beuningen, 2001.

Van Gogh 100, ed. by Joseph D. Masheck.  Greenwood, 1996.

Veblen, Thorstein.  The Theory of the Leisure Class: An Economic Study of Institutions.  Modern Library, 1934.

Weisberg, Gabriel P.  Against the Modern: Dagnan-Bouveret and the Transformation of the Academic Tradition.  Rutgers, 2002 (CH, Mar'03, 40-3818).

Weisberg, Gabriel P., with Petra ten Doesschate et al.  The Orient Expressed: Western Art and Influence of Japan, 1854-1918.  Mississippi Museum of Art/Washington, 2011.

Welchman, John.  Art after Appropriation: Essays on Art in the 1990s.  Amsterdam: G+B Arts International, 2001.

Wichmann, Siegfried.  Japonisme: The Japanese Influence on Western Art since 1858, tr. by Mary Whittall.  Thames & Hudson, 1999.

Wilson, Fred.  Mining the Museum: An Installation, ed. by Lisa Graziose Corrin.  New Press, 1994.

Young, James O.  Cultural Appropriation and the Arts.  Blackwell, 2008 (CH, Nov'08, 46-1293).