Skip to main content
It looks like you're using Internet Explorer 11 or older. This website works best with modern browsers such as the latest versions of Chrome, Firefox, Safari, and Edge. If you continue with this browser, you may see unexpected results.

Theater Arts of the Allies in the Great War (March 2013): Cinema

By Felicia Hardison Londré


Cinema was a fledgling during the Great War.  The First World War and Popular Cinema: 1914 to the Present, edited by Michael Paris, includes five essays on various film genres (documentary, propaganda, feature film treatments of the war from the end of the war through the 1990s) from the United Kingdom.  The remaining seven chapters treat, respectively, French, American, Italian, Russian/Soviet, Polish, German, and Austrian cinema.  British Silent Cinema and the Great War, edited by Michael Hammond and Michael Williams, collects essays on period practice in documenting combat and on retrospective interpretations of those visual records.  In War on Film: The American Cinema and World War I, 1914-1941, Michael Isenberg promotes the motion picture as a form of access to the mind-set of the past.  Leslie Midkiff DeBauche’s Reel Patriotism: The Movies and World War I focuses on the American film industry of the war years.  Hollywood’s World War I: Motion Picture Images, edited by Peter Rollins and John O’Connor, uses individual films as case studies for understanding of the war through film.  And George Creel’s previously mentioned How We Advertised America documents the use of film to promote the war effort in the United States.