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Aesthetics and Neuroscience: Scientific and Artistic Perspectives, ed. by Zoï Kapoula and Marine Vernet. Springer, 2016.
Aiken, Nancy E. The Biological Origins of Art. Praeger, 1998 (CH, Nov’98, 36-1357).
Armstrong, Paul B. How Literature Plays with the Brain: The Neuroscience of Reading and Art. Johns Hopkins, 2013.
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____. The Power of the Center: A Study of Composition in the Visual Arts. California, 1982 (CH, Sep’82); new ed., 1988.
____. Visual Thinking. California, 1969 (CH, Apr’70).
Art, Aesthetics, and the Brain, ed. by Joseph P. Huston et al. Oxford, 2015.
Art and Perception: Towards a Visual Science of Art, ed. by Baingio Pinna. VSP, 2008- .
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Baxandall, Michael. Painting and Experience in Fifteenth-Century Italy: A Primer in the Social History of Pictorial Style. Oxford, 1972 (CH, Jul’73); 2nd ed., 1988.
Berkowitz, Aaron. The Improvising Mind: Cognition and Creativity in the Musical Moment. Oxford, 2010.
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Biopoetics: Evolutionary Explorations in the Arts, ed. by Brett Cooke and Frederick Turner. ICUS, 1999.
Buswell, Guy Thomas. How People Look at Pictures: A Study of the Psychology of Perception in Art. Chicago, 1935.
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Cognitive Processes in the Perception of Art, ed. by W. Ray Crozier and Antony J. Chapman. Elsevier, 1984.
Dissanayake, Ellen. What Is Art For? Washington, 1988 (CH, Mar’89, 26-3666).
Dutton, Denis. The Art Instinct: Beauty, Pleasure, and Human Evolution. Bloomsbury, 2009 (CH, Sep’09, 47-0074).
Efland, Arthur. Art and Cognition: Integrating the Visual Arts in the Curriculum. Teachers College Press, 2002.
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Gardner, Howard E. Artful Scribbles: The Significance of Children’s Drawings. Basic Books, 1980.
____. The Arts and Human Development: A Psychological Study of the Artistic Process. Wiley, 1973 (CH, Apr’74).
Golomb, Claire. The Child’s Creation of a Pictorial World. California, 1992; 2nd ed., L. Erlbaum, 2003.
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____. The Image and the Eye: Further Studies in the Psychology of Pictorial Representation. Phaidon, 1982 (CH, Dec’82).
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——. Reductionism in Art and Brain Science: Bridging the Two Cultures. Columbia, 2016.
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Ludwig, Arnold M. The Price of Greatness: Resolving the Creativity and Madness Controversy. Guilford, 1995 (CH, Jan’96, 33-3023).
Massey, Irving. The Neural Imagination: Aesthetic and Neuroscientific Approaches to the Arts. Texas, 2009 (CH, May’10, 47-4807).
Mather, George. The Psychology of Visual Art: Eye, Brain and Art. Cambridge, 2014.
Milbrath, Constance. Patterns of Artistic Development in Children: Comparative Studies of Talent. Cambridge, 1998 (CH, May’99, 36-5223).
Minissale, Gregory. The Psychology of Contemporary Art. Cambridge, 2013.
Mithen, Steven J. The Prehistory of the Mind: A Search for the Origins of Art, Religion, and Science. Thames and Hudson, 1996 (CH, Apr’97, 34-4547).
Mullin, Jill. Drawing Autism. New York: Akashic Books, 2014.
Neuroaesthetics, ed. by Martin Skov and Oshin Vartanian, Baywood, 2009.
The Neurosciences and Music, ed. by Giuliano Avanzini et al. New York Academy of Sciences, 2003.
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Parsons, Michael J. How We Understand Art: A Cognitive Developmental Account of Aesthetic Experience. Cambridge, 1987.
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Prinzhorn, Hans. Artistry of the Mentally Ill: A Contribution to the Psychology and Psychopathology of Configuration, tr. by Eric von Brockdorff. Springer-Verlag, 1972. (Most recent edition, The Art of Insanity: An Analysis of Ten Schizophrenic Artists [ed. by Candice Black]. Solar Books, 2011.)
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Ramachandran, V. S. The Tell-Tale Brain: A Neuroscientist’s Quest for What Makes Us Human. W. W. Norton, 2011 (CH, Aug’11, 48-6945).
Rampley, Matthew. The Seductions of Darwin: Art, Evolution, Neuroscience. Pennsylvania State, 2017 (CH, Oct’17, 55-0496).
Roald, Tone. Cognition in Emotion: An Investigation through Experiences with Art. Rodopi, 2007.
Rothenberg, David. Survival of the Beautiful: Art, Science, and Evolution. Bloomsbury, 2011.
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Sawyer, R. Keith. Explaining Creativity: The Science of Human Innovation. Oxford, 2006; 2nd ed., 2012.
Schaefer-Simmern, Henry. The Unfolding of Artistic Activity: Its Basis, Processes, and Implications. California, 1948.
Science and Art: The Red Book of “Einstein Meets Magritte,” ed. by Diederik Aerts, Ernest Mathijs, and Bert Mosselmans, VUB Press, 1999.
Shimamura, Arthur P. Experiencing Art: In the Brain of the Beholder. Oxford, 2013.
Silver, Rawley A. Art as Language: Access to Thoughts and Feelings through Stimulus Drawings. Brunner-Routledge, 2001.
Smith, Matthew Wilson. The Nervous Stage: Nineteenth-Century Neuroscience and the Birth of Modern Theater. Oxford, 2018 (CH, May’18, 55-3170).
____. The Psychology of Art and the Evolution of the Conscious Brain. MIT, 2003 (CH, Sep’04, 42-0628).
Stafford, Barbara Maria. Echo Objects: The Cognitive Work of Images. Chicago, 2007.
Starr, G. Gabrielle. Feeling Beauty: The Neuroscience of Aesthetic Experience. MIT, 2013 (CH, May’14, 51-4959).
Stiles, Anne. Popular Fiction and Brain Science in the Late Nineteenth Century. Cambridge, 2012.
Studies in the New Experimental Aesthetics: Steps toward an Objective Psychology of Aesthetic Appreciation, ed. by D. E. Berlyne. Hemisphere, 1974.
Trevor-Roper, Patrick D. The World through Blunted Sight: An Inquiry into the Influence of Defective Vision on Art and Character. Bobbs-Merrill, 1970; new and rev. ed., Viking Penguin, 1988.
Trimble, Michael R. The Soul in the Brain: The Cerebral Basis of Language, Art, and Belief. Johns Hopkins, 2007 (CH, Oct’07, 45-0866).
Weir, Catherine, and Evans Mandes. Interpreting Visual Art: A Survey of Cognitive Research about Pictures. Transaction, 2017 (CH, Mar’18, 55-2369).
Zeki, Semir. Inner Vision: An Exploration of Art and the Brain. Oxford, 1999.