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Artistic Citizenship : Artistry, Social Responsibility, and Ethical Praxis, ed. by David J. Elliott, Marissa Silverman, and Wayne D. Bowman. Oxford, 2016.
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____. Games for Actors and Non-Actors, Eng. trans. by Adrian Jackson. Routledge, 1992; 2nd ed., 2002.
____. Hamlet and the Baker’s Son: My Life in Theatre and Politics, Eng. trans. by Adrian Jackson and Candida Baker. Routledge, 2001.
____. Legislative Theatre: Using Performance to Make Politics, Eng. trans. by Adrian Jackson. Routledge, 1998.
____. The Rainbow of Desire: The Boal Method of Theatre and Therapy, Eng. trans. by Adrian Jackson. Routledge, 1995.
____. The Theatre of the Oppressed, Eng. trans. by Charles A. and Maria-Odilia Leal McBride. Pluto Press, 1979 (CH, Dec’79).
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____. Remapping Performance: Common Ground, Uncommon Partners. Palgrave Macmillan, 2015.
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Hyman, Colette A. Staging Strikes: Workers’ Theatre and the American Labor Movement. Temple, 1997 (CH, Nov’97, 35-1718).
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____. The Radical in Performance: Between Brecht and Baudrillard. Routledge, 1999 (CH, Apr’00, 37-4422).
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Landy, Robert J., and David T. Montgomery. Theatre for Change: Education, Social Action and Therapy. Palgrave Macmillan, 2012 (CH, Dec’12, 50-1988).
Leonard, Robert H., and Ann Kilkelly. Performing Communities: Grassroots Ensemble Theaters Deeply Rooted in Eight US Communities, ed. by Linda Frye Burnham. New Village Press, 2006.
Madison, D. Soyini. Acts of Activism: Human Rights as Radical Performance. Cambridge, 2010 (CH, Feb’11, 48-3193).
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____. The Enormous Despair. Random House, 1972.
____. Full Moon Stages: Personal Notes from 50 Years of The Living Theatre. Three Rooms Press, 2015.
McAvoy, Mary. Rehearsing Revolutions: The Labor Drama Experiment and Radical Activism in the Early Twentieth Century. Iowa, 2019 (CH, Nov’19, 57-0921).
Montez, Noe Wesley. Memory, Transitional Justice, and Theatre in Postdictatorship Argentina. Southern Illinois, 2018.
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Popular Theatre: A Sourcebook, ed. by Joel Schechter. Routledge, 2003.
Restaging the Sixties: Radical Theaters and Their Legacies, ed. by James M. Harding and Cindy Rosenthal. Michigan, 2007 (CH, Jul’07, 44-6163).
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The San Francisco Mime Troupe Reader, ed. by Susan Vaneta. Michigan, 2005 (CH, Dec’05, 43-2107).
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