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Artistic Citizenship : Artistry, Social Responsibility, and Ethical Praxis, ed. by David J. Elliott, Marissa Silverman, and Wayne D. Bowman. Oxford, 2016.
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Boal, Augusto. The Aesthetics of the Oppressed, Eng. trans. by Adrian Jackson. Routledge, 2006.
____. Games for Actors and Non-Actors, Eng. trans. by Adrian Jackson. Routledge, 1992; 2nd ed., 2002.
____. Hamlet and the Baker’s Son: My Life in Theatre and Politics, Eng. trans. by Adrian Jackson and Candida Baker. Routledge, 2001.
____. Legislative Theatre: Using Performance to Make Politics, Eng. trans. by Adrian Jackson. Routledge, 1998.
____. The Rainbow of Desire: The Boal Method of Theatre and Therapy, Eng. trans. by Adrian Jackson. Routledge, 1995.
____. The Theatre of the Oppressed, Eng. trans. by Charles A. and Maria-Odilia Leal McBride. Pluto Press, 1979 (CH, Dec’79).
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Brecht, Bertolt. Brecht on Theatre: The Development of an Aesthetic, edited and translated by John Willett. Hill and Wang, 1964 (CH, Jun’64).
Butler, Isaac, and Dan Kois. The World Only Spins Forward: The Ascent of Angels in America. Bloomsbury, 2018.
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____. Local Acts: Community-Based Performance in the United States. Rutgers, 2005 (CH, NOV’05, 43-1480).
____. Remapping Performance: Common Ground, Uncommon Partners. Palgrave Macmillan, 2015.
Conquergood, Lorne Dwight. Cultural Struggles: Performance, Ethnography, Praxis, ed. by E. Patrick Johnson. Michigan, 2013 (CH, Dec’13, 51-1973).
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Dail, Chrystyna. Stage for Action: U.S. Social Activist Theatre in the 1940s. Southern Illinois, 2016 (CH, May’17, 54-4163).
Davis, R. G. The San Francisco Mime Troupe: The First Ten Years. Ramparts, 1975 (CH, Jan’76).
Dharwadker, Aparna Bhargava. Theatres of Independence: Drama, Theory, and Urban Performance in India since 1947. Iowa, 2005.
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Elam, Harry Justin. Taking It to the Streets: The Social Protest Theater of Luis Valdez and Amiri Baraka. Michigan, 1997.
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Ethnodrama: An Anthology of Reality Theatre, ed. by Johnny Saldaña. AltaMira Press, 2005.
Freire, Paulo. Pedagogy of the Oppressed, Eng. trans. by Myra Bergman Ramos. Herder and Herder, 1970; 50th anniv. ed., Bloomsbury Academic, 2018.
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Himelstein, Morgan Y. Drama Was a Weapon: The Left-Wing Theatre in New York, 1929–1941. Rutgers, 1963.
Hyman, Colette A. Staging Strikes: Workers’ Theatre and the American Labor Movement. Temple, 1997 (CH, Nov’97, 35-1718).
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____. The Radical in Performance: Between Brecht and Baudrillard. Routledge, 1999 (CH, Apr’00, 37-4422).
Kushner, Tony. Angels in America: A Gay Fantasia on National Themes. Theatre Communications Group, 1991, 1993; rev. ed., 2013 (Pt. 2: Perestroika, CH, Sep’94, 32-0147).
Landy, Robert J., and David T. Montgomery. Theatre for Change: Education, Social Action and Therapy. Palgrave Macmillan, 2012 (CH, Dec’12, 50-1988).
Leonard, Robert H., and Ann Kilkelly. Performing Communities: Grassroots Ensemble Theaters Deeply Rooted in Eight US Communities, ed. by Linda Frye Burnham. New Village Press, 2006.
Madison, D. Soyini. Acts of Activism: Human Rights as Radical Performance. Cambridge, 2010 (CH, Feb’11, 48-3193).
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____. The Enormous Despair. Random House, 1972.
____. Full Moon Stages: Personal Notes from 50 Years of The Living Theatre. Three Rooms Press, 2015.
Martin, Bradford D. The Theater Is in the Street: Politics and Performance in Sixties America. Massachusetts, 2004 (CH, Jun’05, 42-5780).
McAvoy, Mary. Rehearsing Revolutions: The Labor Drama Experiment and Radical Activism in the Early Twentieth Century. Iowa, 2019 (CH, Nov’19, 57-0921).
Montez, Noe Wesley. Memory, Transitional Justice, and Theatre in Postdictatorship Argentina. Southern Illinois, 2018.
Nicholson, Helen. Applied Drama: The Gift of Theatre. Palgrave Macmillan, 2005; 2nd ed., 2014 (CH, May’06, 43-5200).
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The Plays of the San Francisco Mime Troupe 2000–2016: The Bush-Obama Years, ed. by Michael Gene Sullivan. The San Francisco Mime Troupe, 2016. Available as ebook or free PDF download from San Francisco Mime Troupe, www.sfmt.org.
Political and Protest Theatre after 9/11: Patriotic Dissent, ed. by Jenny Spencer. Routledge, 2012.
Popular Theatre: A Sourcebook, ed. by Joel Schechter. Routledge, 2003.
Restaging the Sixties: Radical Theaters and Their Legacies, ed. by James M. Harding and Cindy Rosenthal. Michigan, 2007 (CH, Jul’07, 44-6163).
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The Rise of Performance Studies: Rethinking Richard Schechner’s Broad Spectrum, ed. by James M. Harding and Cindy Rosenthal. Palgrave Macmillan, 2011.
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The San Francisco Mime Troupe Reader, ed. by Susan Vaneta. Michigan, 2005 (CH, Dec’05, 43-2107).
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https://www.mitpressjournals.org/loi/dram
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Van Erven, Eugène. Radical People’s Theatre. Indiana, 1988 (CH, May’89).